Here’s the winning photo (which you might recognize from another post):

But with the fairly recent release of a couple of kinda inexpensive ring light solutions for speedlights, I decided to take the plunge. And I’m happy I did.

I chose the Orbis over the Ray Flash for one reason only: the Orbis is universal while the Ray Flash needs to be tailored to a particular flash AND camera model. Since I have both SB-800s and SB-900s I wanted to be able to use whatever I had on-hand. I also figured it would be a more future-proof solution. Both units work along the same principle, slipping over your speedlight and projecting its strobe burst around a ring-like chamber creating the uh… ring light effect. Although the manual suggests using at least 400 ISO it doesn’t eat up that much power. I did find it a little snug with an SB-900 and have been using it mostly with my 800s.

It’s surprisingly effective both as main or fill light. Here are a few examples from a recent studio session (notice the catchlights):

I’m not crazy about the last one, his shoulders are way too high. But it shows the type of light that’s possible. In all these cases the Orbis is being used as main light. In fact it’s the only light…

How about fill? On this next one I was using a 42′ Softlighter II as main light but the black dog was, well… pretty black. The Orbis gave it a bit of shine and also rounded the shadows on the kids:

The only drawback with the Orbis is its need to be handheld (unlike the Ray Flash). It does take some getting used to especially with kids and dogs runnning around the studio ;-) The makers say they are working on a universal adapter that will allow attachement to any SLR body, which will be a welcome addition. But while handholding can be unwieldy, it also opens up possibilities: moving around transforms it into a pretty interesting light shaper. You still get the ring flash quality but now you can re-introduce shadows by changing its direction. Here’s what I mean (I was holding the flash over her head at camera left):

So is it worth $249.00 (canadian)? To me it is. It opens up possibilities and gets creative juices flowing. That’s a pretty good mix in my book.

Here’s one last picture – can you spot the Orbis in the binoculars?

I’ve said it before: Zack Arias’s blog is a must-read for me. I love his pictures and I love how much he shares with the community. This week he posted a series he shot with the band Living Things where he used the Multiple Exposure mode on his D3 which also happens to be available on my D300 :-)…

It’s the kind of thing that can easily be dismissed as gadgety – which is pretty much how I had classified it after having played with it for about 3 whole minutes when I first got this camera. But his use of it made me rethink that position. It can become a pretty exciting tool and the reandom aspect of it is actually something that gets me excited. Here’s one of his pics:

Living Things - by Zack Arias

Technicalities
You’ll find this mode under the Shooting menu. It’s pretty sparse on options:
- You can select the number of shots that will be used (from 2 to 10).
- You can set Auto-Gain on or off.

This last setting turns out to be quite important actually. By default, Auto-Gain is set to On, meaning the camera averages every shot for a final blend that won’t blow out too much. Which means you get no control over the composition. Not good in my book. Setting it to Off definitely opens up the real power of  this feature by allowing you to blend as you go simply by controlling your exposure. Shoot your main subject at full exposure, then shoot something you want less prominent a couple of stops lower and things start to get interesting. It’s all about imagining the final result in your mind as you shoot.

Following are a couple of pics I took – Isn’t it darn nice to discover new stuff in something you already own?

The great thing about the Hilite is that it’s lit from within, which means you can place your subject insanely close to it and still get perfect control of both exposures. The only downside compared to seamless is that as soon as you start bringing the bg down, there are wrinkles in the Hilite that start to show. So you can’t play around with it as much as paper. It’s meant for high key and works perfectly for that purpose which means I’ll be using this a lot in school and day-care shoots where space is often at a premium.

Another use for the Hilite is as a giant softbox. I mean, you have this huge 6×7 light source right? Just position your subject on another background and use this as the main light: presto! soft light all around! Here’s another (sigh) self-portrait I took in my studio. I’m using a single SB-800 for this believe it or not. The light is really pretty cool I think:

Btw, this was inspired by a photographer named Zack Arias. If you don’t know him you should. Go visit his blog now and be ready for your photography to get a serious boost. On top of being a great photographer, he happens to be a pretty damn generous guy and a great teacher. I found him while researching for my studio setup – which ended up pretty much entirely based on his white seamless series. He’s also been doing reviews of photographer websites and listening to his comments gives great insight into the do’s and don’ts of marketing yourself on the web. Now I just need to apply some of it ;-)

P.S This was also shot with the 50mm 1.8

[slidepress gallery='jamal']

Lorsque nous avons fini de payer notre voiture il y a deux ans, ma copine a suggéré de trouver quelqu’un pour venir faire le ménage à la maison. Depuis ce temps Jamal et Bouchra font ce travail toutes les deux semaines. Et nous somme devenus amis. Ce matin j’essayais de fignoler une idée de look que j’avais en tête en m’utilisant moi-même comme sujet – une tâche lente et maladroite. J’ai demandé à Jamal s’il voulait venir s’asseoir quelques minutes et il a gentiment accepté. J’en suis très heureux…

P.S ces photos ont aussi été prises avec le 50mm 1.8

[slidepress gallery='jamal']